
Pulp TimePulp Time · Watching
Scarface
Directed by Howard Hawks · 1932 · 94 min · Drama / Crime / Thriller / Film Noir / Gangster / Action
In Prohibition-era Chicago, ambitious Italian immigrant Tony “Scarface” Camonte rises through the ranks of the underworld by murdering his way to the top of the South Side bootlegging racket. Ignoring his boss’s orders, he expands into rival territory, wages bloody gang wars, and seizes control of the city’s criminal empire—while his obsessive protectiveness toward his sister and unchecked ambition ultimately seal his violent downfall.
Pulp Time · Feature presentation
Then: Scarface
Howard Hawks’s Scarface (1932) remains one of the rawest and most exhilarating of the classic gangster films, a pre-Code powder keg that still crackles with energy nearly a century later. Paul Muni gives a ferocious, almost animalistic performance as Tony Camonte, the ambitious Italian immigrant who shoots his way from bodyguard to undisputed king of Chicago’s bootlegging empire. With machine-gun rhythm and a dark streak of black comedy, Hawks charts Tony’s meteoric rise and inevitable fall, capturing both the gaudy allure and the moral emptiness of Prohibition-era underworld power. The film is spiked with unforgettable set pieces—the St. Valentine’s Day Massacre homage, the neon “The World Is Yours” billboard that becomes Tony’s personal creed, and the final, tear-gas-choked siege—and is further charged by the unsettling, barely-veiled intensity of Tony’s relationship with his sister Cesca (Ann Dvorak). George Raft, Karen Morley, and Boris Karloff round out a superb supporting cast. Bold, brutal, and stylish, Scarface stands as both a defining document of early-1930s Hollywood and one of the purest expressions of Hawks’s hard-edged mastery.
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